About

Ruth Schilling (Harwood)
rsh@ruthschilling.com

Photographic Series, 1976-2014

Reference, from the series Collections

Reference

ARRANGEMENTS– Silver gelatin prints from photographs of arranged ephemera, 1976-78.

ROCK COLLECTION– 30”x 36” Large prints of New England rock forms, 1980

TECH SQUARES, STILL LIFES, GARDENING– All three series are unique prints that combine photography (silver gelatin prints) with painting, 1979-1982.

TEXAS PORTRAITS– Silver gelatin prints. Portraits taken with a 4×5 view camera, 1982-83.

FRENCH GARDENSPhotographic series exploring artifice in natural settings and nature in urban settings, 1984-87.

THE NATURE OF THINGS and COLLECTIONS– These two series combine photographs, photograms, and digital material, 1988-1994 and returned to Collections, 2000-2002.
Reference is from the series Collections.

THE CLOSENESS OF MARS– Digital prints from photographs of the real and virtual (electronically transmitted) world, The photographs are of televised transmissions from the war in Iraq and scientific programming in digital combination with landscapes photographed conventionally. 2003-Present.

BACKYARD LANDSCAPES- Digitally manipulated prints of landscapes, 2004-2007.

ARIZONA LANDSCAPES– Digital collages of scanned ‘snapshots’ of the Arizona landscape.

SPRING- Details from scans of the front page image in the Washington Post Feb-March 2011.

BARE WIRES- Photographs taken in Nicaragua, 2012.

REQUIEM- Photographs of the Coconino forest, Flagstaff, AZ, 2012- present.
DETROIT FREE PRESS-
Photographs of the vacated Detroit Free Press building, Detroit, MI, 2014.

rsheditions, Independently published books available from Blurb.com.

KYIV PASSAGEBook proposal from work done while living in Ukraine that includes color, black and white photographs, and digital imagery combined with text, 1995-2001.

The New Forty-Five, a collaboration between a poet and the photographer.

RSH Magazine, Vol. 1,
Issue one, Autumn Flows
Rambles through the woods above the Potomac River during the long mid-Atlantic fall.

Panamá Vernacular– 2014-. Ongoing series documenting the Azuero Peninsula of Panamá.

Daily Brushes-2018-19.Series using Brushes Redux program on iPad/iPhone.

2 thoughts on “About

  1. Paul S

    I am so glad that you are doing well. Your creative history has been impressive. Nice to read some things you’ve written, also I like the recent graphics work.

    Paul S, class of a long time ago.

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